"Mater Matuta " Indian classical dance
BHARATA NATYAM
AND READINGS extracted from text
" The Dance" by Luciano from Samos
2008 season / 2009
show created in 2008 in favor of the Sacred in Women Argiope, with brief excerpts presented at the Association of Italian Dancers Rome (AID - 2008), the Toy Museum of Palazzo Rospigliosi (City of Zagarolo , 2008), for the week of Festambiente South (City of Monte Sant'Angelo, FG, 2008); for Circolo degli Artisti (Rome, 2008), for the presentation of the book "Stories of Women , Dee Stories" by C. Panascia, Renaissance Library, Rome.
In it is placed particular emphasis on the relationship between the feminine and the divine, as it is interpreted in various traditional kinds of composition. The protagonists are always women, women in love, women relate to their beloved deity or, in a progression of states where human love is transformed into divine love.
The description of the tracks are interleaved with extracts from the text Dance of Lucian of Samosata: far from being merely an exotic language, Indian classical dance takes us back to the dawn of language choral Mediterranean, where the pantomime, " skilful hands, would leave the viewer from Teatro better than when you entered.
Performer: Marialuisa Sales, Readings: Lucienne Musa; Director: Paola Stella; Choreography: Y. Krisnamurti GL Joglekar, S. Rajteesh; changes and choreographic adaptations: T. Leucci
BHARATA NATYAM
AND READINGS extracted from text
" The Dance" by Luciano from Samos
2008 season / 2009
show created in 2008 in favor of the Sacred in Women Argiope, with brief excerpts presented at the Association of Italian Dancers Rome (AID - 2008), the Toy Museum of Palazzo Rospigliosi (City of Zagarolo , 2008), for the week of Festambiente South (City of Monte Sant'Angelo, FG, 2008); for Circolo degli Artisti (Rome, 2008), for the presentation of the book "Stories of Women , Dee Stories" by C. Panascia, Renaissance Library, Rome.
In it is placed particular emphasis on the relationship between the feminine and the divine, as it is interpreted in various traditional kinds of composition. The protagonists are always women, women in love, women relate to their beloved deity or, in a progression of states where human love is transformed into divine love.
The description of the tracks are interleaved with extracts from the text Dance of Lucian of Samosata: far from being merely an exotic language, Indian classical dance takes us back to the dawn of language choral Mediterranean, where the pantomime, " skilful hands, would leave the viewer from Teatro better than when you entered.
Performer: Marialuisa Sales, Readings: Lucienne Musa; Director: Paola Stella; Choreography: Y. Krisnamurti GL Joglekar, S. Rajteesh; changes and choreographic adaptations: T. Leucci
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