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MART

MUSEUM OF MODERN ART AND CONTEMPORARY
of Trento and Rovereto "THE SONG OF ISHTAR"

for "DANCE OF THE AVANT-GARDE"

Dicembre-May 2005

The Indian classical dance by Marialuisa Sales experimentation becomes meets contemporary art and multimedia installation "The Song of Ishtar" of L. Raciti for the big event that Mart exhibition devoted to a century of research in dance theater. It becomes even product art in the collection P-FRAME VIDEO ART (2005 / 6) Loredana Raciti:

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CANOVA TADOLINI MUSEUM OF ROME

"THE DAUGHTER OF THE COLD"
November 2005

Marialuisa Sales Performance, Oscar Bonelli and Katya Sanna at the presentation of the novel Loredana Raciti. Classic meets contemporary nell'inedita setting of the museum of plaster casts of Canova in Rome, traveling in a dance performance, running from room to room, becoming part of the exhibition. The performance then become part of the P-ART VIDEO FRAME Loredana Raciti .

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BUCHAREST NATIONAL OPERA

"vibrating body DANCE IN FLIGHT"
Bucarest, 4 Novembre 2005

Performance di Marialuisa Sales in collaborazione con la compagnia di danza contemporanea Inter-Act dedicata all'omonima collezione di opere di Loredana Raciti. Musiche: Compagnia Inter-Act; Catalogo: Eurografica; Abito di scena: Maison Gattinoni.

"Tra tele e danza corre il filo del movimento (...). Non si tratta di una scenografia che fa da sfondo, ma di opere che sono intese come soggetti. Nel primo atto, la performance di una ballerina italiana (Marialuisa Sales) accompagna la visione delle tele.."
N. Cobolli in Arte, Novembre 2005

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"LA DEA DELLE STREGHE"

UNIVERSITA' DEGLI STUDI DI ROMA LA SAPIENZA, 2005
MEDIASCENA EUROPA, " OFF BROADWAY 2004 "
VINCITORE DEL CONCORSO "CITY HIDE PROJECT",COMUNE DI ROMA, "OFFICINA GIOVANI", COMUNE DI PRATO,2005
L'ATELIER "AENEA"DEL MOSAICISTA L. N. ENEA, 2005

Ispirato al testo “Aradia – Il Vangelo delle Streghe” di C. G. Leland nella traduzione curata by Lorenza Menegoni. Three dancers, two actresses and a singer on stage interact using a variety of forms of expression that are brought to life by installing a "cosmogonic" from which the performance unfolds. The choreographic language of the 'ethnic' is very much out of context and modernized to convey universal messages, beyond any connection time and space.
Characters: The High Priestess, The Enchanted Fairy, The Pillars of the Temple, The Witch, The Voice of the Sacred Grove
"In the Beginning ... ... "
Cosmogonies As in all sacred, from the Dark Primordial Light is generated. The two columns of the Temple, symbol of all the duality created, dancing in the back back, as in the first chapter of Genesis, and is the first act of every living thing: recognize the 'I' from the 'Other'. Born, '"I am". Alarippu, the first dance, then, is the awakening of the body of the dancer, gradually revealed as the dawn is about to be born. The next dance, on a medieval text of Ramon Llull, praising the rising sun in the purest ways of polite literature. The theme of Separation is a reminder that in every birth is posting. Thus echoes the invocation to the Great Goddess in an enchanted forest, fairy and a music box in a sacred circle, while excerpts from the repertoire of Indian spreading their messages of love and finally Gioia.Ritorna Night, the lights go down, then the show is like a day, a life, an age, a rite. Tribute to the women in a sacred, archetypal and universal.

Choreography: A. Migliorini (Indian classical dance Bharata Natyam), M. Sales (and his interpretations of contemporary Middle Eastern Dance) - Directed and installations : L. Raciti - Song: Katya Sanna (Courtesy New Company Indye) - Dancers: A. Migliorini, M. Sales, Paola Stella - -Actresses Dancers: Giovanna Genovese, Camilla Triolo

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PAVILION VENICE BIENNALE

February 2004

Eastern contemporary dance performance
Marialuisa Sales.
meetings and performances with international artists such as-the Musafir Gypsies of Rajasthan, Bobby Friction, Mahmood Sabri and many other

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Rome Auditorium Parco della Musica

"FOUR TONES AND THE FIFTH ELEMENT"
July 16, 2004

Performance conceived by Loredana Raciti for Black Box Auditorium Parco della Musica in Rome, under "AltaRoma Haute Couture". Framework is developed as a dream inspired by the Renaissance image of the nightmare. Two dancers and a musician by interacting artist's body lying on his desk. The facilities become part of the action danced, till everything comes back together in the Awakening.

Director: Loredana Raciti; Dance: Marialuisa Sales; Suits: Gianni Serra

" Loredana Raciti evokes the spirits in Catwalk" (TIME, 07/10/2004)
" brought together fashion, music, painting, sculpture and dance performance created by Loredana Raciti " (Reuters, 16 / 7 / 2004)

".. Loredana Raciti bringing together fashion, music, painting, sculpture and dance to experiment of combining the different arts (Il Corriere della Sera, 17 / 7 / 2004)

EASTERN DANCE AND CONTEMPORARY ART : first trial of a novel combination, of the collaboration between Loredana Raciti and Marialuisa Sales born unique performances, installations living inspired by the principle that, in their essence, all the arts are one art.

The Indian and Middle Eastern dances lose their connotation of "ethnic" to reach the purity of essentiality and universality of language.
not "syncretism", external works and superficial, but short, deeply motivated by the survey on the universal principles that govern the diversity of forms.
born from the collaboration and unique performance style indefinable: "The Song of Ishtar" (Museum of Modern and Contemporary Art of Trento and Rovereto, MART), "vibrant body dance in Flight" (National Opera of Bucharest), "Four Tones The Fifth Element "(Rome's Auditorium Parco della Musica)," The Daughter of the Cold "(Museo Canova Tadolini).

SITE:
http://www.loredanaraciti.org/

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THEATRE TENT PLANET

MEDIASCENA EUROPE "Off Broadway 2003"

"SURA ARDVI ANAHATA"
THE WOMEN OF GOD
Rome, November 18, 2003

part of "Shura, or divine inebriation" . The show "Ardvi Sura Anahita" started as a continuation of the first "You - Hymn to the Mother Goddess", both produced for "Off Broadway" in 2003 and 2004 (Mediascena Europe), taking up and developing some specific ideas relating to 'women's spirituality survey designed to instinctive and primordial body. Then takes its title from the name of the ancient Persian deity (whose attributes were in fact "wet, fertile and fruitful") who presided over the waters, heavenly goddess of all water source land, something that reigns supreme in the Middle Eastern dance, characterized by a fluid motion, the hypnotic and archaic. A Goddess of the Waters and then to a dance once linked to the fertility cults whose circular motions show an archaic and non-linear experience of time. The show unfolds in a series of paintings that alternate singing, dancing and acting targeting to suggest a dreamlike landscape of women's spirituality: the bodily pleasure of a group of girls playing with skirts, whirling dance of ecstatic release, the relationship with the "veil" that covers everything. It then uses a syncretic language that aims to reevaluate the beauty of this ancient technique, freeing it from forms parodistic pseudo-Eastern and even cabaret, where the culture now seems relegated. No more "women's movements, but the search of the powerful movement, which again give the woman a feeling of total female, multiform and spiritualized, aldilà del confine in cui ogni cultura ha sempre cercato di rinchiudere queste "acque mutevoli".

Coreografia e regia: Marialuisa Sales; Interpreti: Daniela Cipriani; Carlotta Facchini; Marialuisa Sales; Paola Stella; Giovanna Leva Joglekar (per il brano di Fusion); Attrici-Danzatrici: Camilla Triolo; Giovanna Genovese; Testi: liriche dei poeti classici Rumi, Jami; Decorazioni: Paola D'Alberti

Repliche per "Terzo festival di Danza Multietnica" di Roma (2004); "San Lorenzo, Arte in Movimento" (2004)

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TEATRO SAN PAOLO

"DEVI, INNO ALLA DEA MADRE"
MEDIASCENA EUROPA
"Off Broadway 2002"
Roma, 20 N0vembre 2002

Primo spettacolo della trilogia dedicata alla sacralità al femminile, in cui si indaga l'essere umano come "DUR-AN-KI": legame tra Cielo e Terra.
Coreografie: Marialuisa Sales
Musiche originali: Francesco Maisto, Marcello Malvica
Interpreti: Daniela Cipriani, Carlotta Facchini, Laura Lucamarini, PT Elias, Marialuisa Sales, Paola Stella
Actor: John Petralia

"Expert of the dance-theater Arab (...) Sales syncretism developed his own choral grafting the traditional with contemporary dance with excellent results, much appreciated by the public (..) On the way down Ishtar leaves a film together at each step of which is covered with jewels, a fleeting sign of that is stripped of frills to get the essentials of the spirit: a dance very Interestingly, a dramatic progression in which the sensual and Sales has been expressed with great intensity "
(F. Ancona in the Renaissance, November 23, 2002)

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ARCHIVE SHOWS
________________

2011
Auditorium Parco della Musica in Rome

"YAR ENSEMBLE IN CONCERT"
Intervention dance Marialuisa Sales

S. Banik, P. Tadayon, A. Pigeons.
Helikon Publishing and Music Production
________________

2010
New Coliseum Theatre, Rome

"NAVA 'ENSEMBLE IN CONCERT"
Marialuisa Sales and Paola Stella:

Ballet Persian, Oriental Dance Contemporary Classical Persian
Nava Ensemble
________________

2010
Bhaktivedanta Indological Library, Rome
Urbino, Piazza della Repubblica
Angel Theatre, Rome (excerpt)

"BHAMAKALAPAM"
Traditional Kuchipudi Dance-Theatre in Telugu and Italian adaptation.

Marialuisa Sales, Marzia Colitti and Bharathi Avireddy
________________

2010
Teatro Argot

"MEDITERRANEAN DEA
Cristina Venanzio, Lucienne Musa and Carlotta Menna:

Danza orientale conemporanea, Danze tradizionali turco-roman, estratti dal testo "Storie di Donne - Storie di Dee" di Clara Panascìa
________________

2009
Teatro Greco di Roma
Università Degli Studi di Catania

"SHIVA E DIONISO: OMAGGIO AL DIO DELL'AMORE E DEL VINO"

Marialuisa Sales e Rita De Vito:
danza classica indiana Bharata Natyam
e danze tradizionali della Grecia
________________

2008-9
Associazione Italiana Danzatori di Roma (A.I.D)
Museo del Giocattolo di Palazzo Rospigliosi di Zagarolo
Artists' Club of Rome
Library Reborn
"May Uniacense" - Library XII Municipio, RM

excerpts from:
"Mater Matuta:
DEE AND DANCES BY WOMEN OF TEMPLES
SOUTH INDIA "

Marialuisa Sales and Lucienne Muse: Indian classical dance Bharata Natyam

and reading texts of ancient Greece
_______________

2008
Marina Theatre, Rome

" are sometimes ALICE "

Carlotta Facchini and Paola Stella:
Oriental Dance Contemporary Teatro e Giocoleria
____________

2008
Centro Danza Masir

“PRESENTAZIONE DEL LIBRO DI
ROBERTA BONGINI E GAIA SCUDERI”

Danza Espressiva Araba: Paola Stella e Carlotta Facchini
__________________

2007
Cattedrale di Amalfi

“OCCHI DI NARCISO”

Danza Classica Persiana
musica Sufi dal vivo
in occasione del Capodanno Bizantino di Amalfi
_______________

2005-6
MART- Museo di Arte Contemporanea di Rovereto e Trento
in "Dance of the Vanguards'

" THE SONG OF ISHTAR "

Marialuisa Sales: Indian classical dance Bharata Natyam

installations Loredana Raciti
_______________

2005
Museum Canova Tadolini Rome

"THE DAUGHTER OF THE COLD"

Marialuisa Sales: Indian classical dance Bharata Natyam

contemporary music and song
_________________

2005
National Opera of Bucharest

" vibrating body DANCE IN FLIGHT "

Marialuisa Sales: Contemporary Oriental Dance

installations Loredana Raciti
_________________

2005
University of Rome "La Sapienza"
Mediascena Europe (Off Broadway 2005 ")
winner of CityHide Project - City of Rome
Officina Giovani, Prato

"THE GODDESS OF THE WITCHES"

Marialuisa Sales, Paola Stella, A. Migliorini, Katya Sanna:
Contemporary Dance East Indian classical dance Bharata Natyam

song and lyrics of the 1800
installations Loredana Raciti
________________.

2004
Auditorium Parco della Musica in Rome

"FOUR TONES AND THE FIFTH ELEMENT"


Contemporary Dance East Indian classical dance Odissi and Chau
live music
installations Loredana Raciti
_________________

2003
Mediascena Europe (Off Broadway 2003 ")

" SURA ARDVI ANAHATA "

Marialuisa Sales, Paola Stella: oriental dance

Contemporary classical texts of the Sufi tradition
installations P. of Alberti
________________

2002
Mediascena Europe (Off Broadway 2002 ")

" MUST, INNO mother goddess "

Marialuisa Sales, Paola Stella:
Eastern dance Indian classical dance Bharata Natyam

texts taken from the Egyptian Book live music of the Dead

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In the most ancient treatise western dance that has come down to us by Lucian Samosata (second century AD.) Calls " orchestés " mime the dancer, that is, one who - as is the case even today in some scuole dell'Oriente - riunisce in sè l'artista, il matematico, il pedagogo e il filosofo.

Rendendo omaggio a questa sapiente figura della tradizione ellenica, l'Istituto Orchestés si propone di valorizzare le culture coreutiche d'Oriente e d'Occidente, nel rispetto di rigorose tradizioni fondate sul Mito e sul Rito, studiate secondo un'ottica scientifica contemporanea, e sfrondate dai luoghi comuni del banale approccio di consumo che mescola a piacimento parodie dell'etnico, dell'orientaleggiante o dell'esotico.

Nato su inziativa della Prof.ssa Marialuisa Sales , membro del Consiglio Internazionale della Danza dell' UNESCO (C.I.D.), l'Istituto ha l’obiettivo to serve as a means of promoting art and culture, to carry out activities in the fields of academia, theater, theatrical exhibition, paper and electronic publishing, leisure, tourism, environment and training , non-profit.

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YEAR COURSE
STAGE AND WORKSHOPS THEME:

expressive dance ARAB ®
(Paola Stella)

DANZA ESPRESSIVA ARABA®
DANZE TURCO-ROMAN
("Shadì": Cristina Di Venanzio,
Elena Quadrelli e Lucienne Musa)

DANZA ESPRESSIVA ARABA®
DANZE TURCO-ROMAN
(Carlotta Menna)

DANZA CLASSICA DELL'INDIA
BHARATA NATYAM
(Marialuisa Sales)

DANZA CLASSICA PERSIANA
(Marialuisa Sales)