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MART

MUSEUM OF MODERN ART AND CONTEMPORARY
of Trento and Rovereto "THE SONG OF ISHTAR"

for "DANCE OF THE AVANT-GARDE"

Dicembre-May 2005

The Indian classical dance by Marialuisa Sales experimentation becomes meets contemporary art and multimedia installation "The Song of Ishtar" of L. Raciti for the big event that Mart exhibition devoted to a century of research in dance theater. It becomes even product art in the collection P-FRAME VIDEO ART (2005 / 6) Loredana Raciti:

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CANOVA TADOLINI MUSEUM OF ROME

"THE DAUGHTER OF THE COLD"
November 2005

Marialuisa Sales Performance, Oscar Bonelli and Katya Sanna at the presentation of the novel Loredana Raciti. Classic meets contemporary nell'inedita setting of the museum of plaster casts of Canova in Rome, traveling in a dance performance, running from room to room, becoming part of the exhibition. The performance then become part of the P-ART VIDEO FRAME Loredana Raciti .

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BUCHAREST NATIONAL OPERA

"vibrating body DANCE IN FLIGHT"
Bucarest, 4 Novembre 2005

Performance di Marialuisa Sales in collaborazione con la compagnia di danza contemporanea Inter-Act dedicata all'omonima collezione di opere di Loredana Raciti. Musiche: Compagnia Inter-Act; Catalogo: Eurografica; Abito di scena: Maison Gattinoni.

"Tra tele e danza corre il filo del movimento (...). Non si tratta di una scenografia che fa da sfondo, ma di opere che sono intese come soggetti. Nel primo atto, la performance di una ballerina italiana (Marialuisa Sales) accompagna la visione delle tele.."
N. Cobolli in Arte, Novembre 2005

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"LA DEA DELLE STREGHE"

UNIVERSITA' DEGLI STUDI DI ROMA LA SAPIENZA, 2005
MEDIASCENA EUROPA, " OFF BROADWAY 2004 "
VINCITORE DEL CONCORSO "CITY HIDE PROJECT",COMUNE DI ROMA, "OFFICINA GIOVANI", COMUNE DI PRATO,2005
L'ATELIER "AENEA"DEL MOSAICISTA L. N. ENEA, 2005

Ispirato al testo “Aradia – Il Vangelo delle Streghe” di C. G. Leland nella traduzione curata by Lorenza Menegoni. Three dancers, two actresses and a singer on stage interact using a variety of forms of expression that are brought to life by installing a "cosmogonic" from which the performance unfolds. The choreographic language of the 'ethnic' is very much out of context and modernized to convey universal messages, beyond any connection time and space.
Characters: The High Priestess, The Enchanted Fairy, The Pillars of the Temple, The Witch, The Voice of the Sacred Grove
"In the Beginning ... ... "
Cosmogonies As in all sacred, from the Dark Primordial Light is generated. The two columns of the Temple, symbol of all the duality created, dancing in the back back, as in the first chapter of Genesis, and is the first act of every living thing: recognize the 'I' from the 'Other'. Born, '"I am". Alarippu, the first dance, then, is the awakening of the body of the dancer, gradually revealed as the dawn is about to be born. The next dance, on a medieval text of Ramon Llull, praising the rising sun in the purest ways of polite literature. The theme of Separation is a reminder that in every birth is posting. Thus echoes the invocation to the Great Goddess in an enchanted forest, fairy and a music box in a sacred circle, while excerpts from the repertoire of Indian spreading their messages of love and finally Gioia.Ritorna Night, the lights go down, then the show is like a day, a life, an age, a rite. Tribute to the women in a sacred, archetypal and universal.

Choreography: A. Migliorini (Indian classical dance Bharata Natyam), M. Sales (and his interpretations of contemporary Middle Eastern Dance) - Directed and installations : L. Raciti - Song: Katya Sanna (Courtesy New Company Indye) - Dancers: A. Migliorini, M. Sales, Paola Stella - -Actresses Dancers: Giovanna Genovese, Camilla Triolo

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PAVILION VENICE BIENNALE

February 2004

Eastern contemporary dance performance
Marialuisa Sales.
meetings and performances with international artists such as-the Musafir Gypsies of Rajasthan, Bobby Friction, Mahmood Sabri and many other